#seriously this is a very long post

[spacebubblehomebase]

Shit post!

Don't take this too seriously, but LMAO XD. -Bubbly💙

[lully-jo]

I wonder how many people really love and relate to Alisaie because they too were the girl who struggled to understand how folks around her could act like suffering and selfishness and hivemind behavior was normal and their softness was called a weakness and so they built up an abrasive exterior to force people to take them seriously and now they don't know how to be vulnerable without feeling embarrassed or cringe even though they still feel things so deeply it's almost suffocating...

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[deerkibble]

what started as a Joke has metamorphosed into Lore

[fantomette22]

Pretty accurate Bloodborne fandom discourse experience on Tumblr lmao

[kitamars]

enmi gintoki…………… orz

[lulu-draws-stuff]

This was gonna be a comic, but I wasn't having fun drawing it, so I scrapped it

You get the cover and outfits section

[aurieeeeeenyx]

time travel mechanics in link click — intentional inconsistencies? closed loops and parallel timelines (theory)

Back in 2021 or so, I wanted to make a post about the time travel mechanics in Season 1, and how they seemed to be inconsistent in certain episodes. I never ended up making that post, and the idea slowly faded from my mind, but I want to make that post now (armed with all the new information we've received since then) before Bridon/Yingdu arc episode 4 comes out because of the episode preview when Lu Guang says this:

In Season 1, the time travel seems to operate on the principle of a closed loop. This is especially evident in the Doudou arc, when Cheng Xiaoshi sees himself in the past (while he's in Doudou's body) and realizes that he was always there; the "changes" he inflicted weren't really changes, because by the time he dives back from the future his actions in the past have already happened. This is also demonstrated when Xu Shanshan walks into the photo studio and interacts with Cheng Xiaoshi in S1E8, and we later find out that it was in fact Cheng Xiaoshi in Xu Shanshan's body interacting with himself. And again, with the ploy to use Xu Shanshan in order to lure Liu Min/Red Eyes to the photo studio. We also see this closed loop phenomenon happen in Season 2, for example when Cheng Xiaoshi possesses Lu Guang's body to go save himself in the past.

So I've always been a little bothered by the earthquake arc in Season 1. If the dives into the past have already happened, why does Chen Xiao come to the photo studio in the first place? If Cheng Xiaoshi (in Chen Xiao's body) won the basketball game and gave those kind words to Chen Xiao's loved ones, why does Chen Xiao remember otherwise?

I've wondered before what happens to the clients when Cheng Xiaoshi is possessing them—do they just not remember anything? Are they even aware of themselves being possessed? Why is no one concerned about missing memories for hours at a time or not being in control of their own body? Emma sort of skirts around this when she tells Cheng Xiaoshi, "So you were the one who sent that message" in S1E11, implying she's aware it wasn't her who sent it. For the sake of argument, though, I'm going to pass the general non-reaction of the clients to being possessed as a handwavey "the brain justifies it somehow later" thing and ignore it.**

That brings us again to the question: Why does Chen Xiao remember the past differently to the one Cheng Xiaoshi experienced/changed? Maybe the past isn't set in stone after all? Maybe, instead of just being a closed loop, the time travel in Link Click is operating on multiple systems?

In 2021, right after I watched Season 1, I was going to dismiss this as just an error. The writers slipped up and bungled their time travel mechanics a bit, and therefore the earthquake arc is different on accident. But we've learned since then that nothing is unintentional in this show, so why is that arc different from the others? (Also, I want to note, there is that moment in S1E4 where Lu Guang's face does that weird warping thing; coincidence? Maybe, but maybe not...)

My theory is: the time travel abilities that Cheng Xiaoshi and Lu Guang have operate differently.

DISCLAIMER: My knowledge of photography and film is extremely limited, so please correct me if I'm wrong.

There's always been a lot of film imagery in this show—obviously, since the whole premise is based in photography—but as early as the Season 1 OP, "Dive Back In Time," we can see the repeated use of rewinding film rolls as a metaphor for going back in time.

Note also: Lu Guang dropping the photo and it transitioning into a film roll, and Cheng Xiaoshi being tangled up in film rolls and being "inside" the film in the background/trapped in the frame. I'll get to this later.

The thing is, once you record something on film, you can't change it; you can only rewind and play it again. This tracks with the closed loop theory: no real changes can be made, because they have already happened. So how is it possible that "changes are still happening," as Lu Guang says in the YE4 preview? It's likely that Vein (and Liu Xiao and Xia Fei) are involved, but I don't believe that's the root of the issue. And, I don't think it's just the ever-nebulous "butterfly effect," because in YE1 Lu Guang says this:

I used to think that even a flap of a butterfly might cause a hurricane strong enough to ruin the world. I was wrong. The power of time is still far beyond our imagination. The future may not change due to a ripple of the past. Not at all...

(Yes, Lu Guang is a notoriously unreliable narrator, but I've decided to trust him on this one. Not to mention, butterfly effect shouldn't exist in a closed loop system.)

I've seen lots of excellent analyses illustrating the discrepancies this season, from the very first scene of YE1 (different furniture positioning, cracks in photo frame glass, bloodstains, presence of curtain, etc) to the changing positions of clothing, buildings, time of day, food, and so on in YE2 (go check out hyperfaexation's excellent YouTube video on their Shattered Memories theory for more details). The fandom is constantly theorizing about how many timelines there are. But while we've been asking ourselves how many timelines exist (five, ten, more?), we forgot to stop and ask: why do they exist?

The existence of multiple timelines doesn't fit into Season 1's time travel premise. In Season 1, it was always Cheng Xiaoshi that we were watching. Whereas Cheng Xiaoshi could be said to live "in" the film when he dives, perhaps Lu Guang is cutting the roll short at the point which he dives back to and splicing a new roll onto it. This could explain the scene from "Dive Back In Time" that I referenced earlier, with Lu Guang outside the film and Cheng Xiaoshi in it. It's not exactly that Lu Guang is diving back in time; it's more like he's diving out of time, into a parallel timeline and leaving this one behind. Maybe this season, we'll get to see more complicated time travel mechanics that result from the intersection of different powers. (And, while we're at it, maybe we can get an answer to why Cheng Xiaoshi has golden eyes for a few frames in YE1 when they're running away, because seriously what's up with that?)

**Another explanation for the non-reaction to the clients' possession could be the interaction of different timelines, but I'm not really sure how this would pan out so I'm not going to elaborate too much.

What does this have to do with the earthquake arc? Why would Lu Guang have a (slightly) different power than Cheng Xiaoshi, if he inherited it from Cheng Xiaoshi as we are led to believe? What happens to the discarded film, the abandoned timelines, when Lu Guang casts them away? Can Cheng Xiaoshi ever be saved? I don't have answers to any of these questions, and maybe I'm overthinking (ha) all of this and it really is just a writing inconsistency after all, but I want to believe Link Click's writers know what they're doing with this and all we can do is wait for the reveal.

[uhbasicallyjustmilex]

alex + looking at miles

[anghraine]

I had a longer, grumpier post about this that I've been drafting (it's past midnight but I'm delaying lying down for COVID+asthma reasons), but I actually do also find the raw quotes about Elizabeth at Pemberley pretty funny. Her impressions of the expensive interior are like:

It was a large, well-proportioned room, handsomely fitted up. Elizabeth, after slightly surveying it, went to a window to enjoy its prospect.

The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw, with admiration of his taste, that it was neither gaudy nor uselessly fine,—with less of splendour, and more real elegance, than the furniture of Rosings.

Mrs Reynolds could interest her on no other point [than Darcy]. She related the subjects of the pictures, the dimensions of the rooms, and the price of the furniture in vain.

they were shown into a very pretty sitting-room, lately fitted up with greater elegance and lightness than the apartments below; and were informed that it was but just done to give pleasure to Miss Darcy, who had taken a liking to the room, when last at Pemberley. “He is certainly a good brother,” said Elizabeth, as she walked towards one of the windows.

Meanwhile, Elizabeth's impression of the land:

The park was very large, and contained great variety of ground. They entered it in one of its lowest points, and drove for some time through a beautiful wood stretching over a wide extent. [...Pemberley was] backed by a ridge of high woody hills; and in front a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.

The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.

They entered the woods, and, bidding adieu to the river for a while, ascended some of the higher grounds; whence, in spots where the opening of the trees gave the eye power to wander, were many charming views of the valley, the opposite hills, with the long range of woods overspreading many, and occasionally part of the stream. Mr Gardiner expressed a wish of going round the whole park, but feared it might be beyond a walk. With a triumphant smile, they were told, that it was ten miles round. It settled the matter; and they pursued the accustomed circuit; which brought them again, after some time, in a descent among hanging woods, to the edge of the water, and one of its narrowest parts. They crossed it by a simple bridge, in character with the general air of the scene: it was a spot less adorned than any they had yet visited; and the valley, here contracted into a glen, allowed room only for the stream, and a narrow walk amidst the rough coppice-wood which bordered it. Elizabeth longed to explore its windings; but when they had crossed the bridge, and perceived their distance from the house, Mrs Gardiner, who was not a great walker, could go no farther, and thought only of returning to the carriage as quickly as possible. Her niece was, therefore, obliged to submit

On reaching the house, they were shown through the hall into the saloon, whose northern aspect rendered it delightful for summer. Its windows, opening to the ground, admitted a most refreshing view of the high woody hills behind the house, and of the beautiful oaks and Spanish chestnuts which were scattered over the intermediate lawn.

[rainyraisin]

Movie Gerald Robotnik: An analysis on how sympathetic does not equate to forgiveable and the differences between redeemability and forgiveability

Redemption is a possibility for every person. To be redeemed is to change for the better. And as Sonic states within this film, "You always have a choice". Choosing to be better is an integral theme within this franchise and has so far been shown through Knuckles, Shadow, and Robotnik, and the movies make a point of illustrating that anybody has this choice. Everyone can be redeemed.

But not everyone can be forgiven.

There is no threshold for where redemption no longer becomes a possibility, because being better is always a possibility, after all its well known that when you're at rock bottom, you can only go up. But when it comes to forgiveness, there is a threshold where granting that forgiveness brings your own morality into question. If you're willing to forgive something that bad, what else are you willing to forgive? The characters that Sonic forgives in these movies only ever get close to doing what they aim to, and these instances only occur because of manipulation, both Knuckles and Shadow being manipulated by one of the Robotniks to aid them in their plan, along with Eggman being manipulated by Gerald. The one character that does go forward with it yet still gets redeemed, Sonic doesn't even outright forgive like he does the other two. Eggman and Sonic never make amends or properly team up together. The one time they do team up is begrudgingly and it is incredibly clear that both sides still despise each other. Despite Ivo's redemption, there is no forgiveness there. Redeemability and forgiveability are not outright intertwined with one another. Being deserving of one does not automatically grant you the other.

Something else that most would assume is interwined with forgiveness is sympathy. You understand why someone has done something, so you forgive them for doing it. That's how the majority of people assume forgiveness to work. If you do not understand why someone has done something, then on what grounds can you forgive them? But sympathising with someone does not mean that their actions are no longer inherently bad or morally wrong, nor that they should be forgiven. And in my opinion, the perfect example of this concept is Gerald Robotnik.

Outside of the movies, Gerald Robotnik had never really been a character I'd thought much about. But something that is a trend with these movies is that they tend to bring characters I wouldn't expect to have liked or didn't previously think about any interpretations of to the forefront of my brain, and that's what happened with Movie Gerald.

The character of Movie Gerald is objectively sympathetic, yes. This man has been torn apart by his grief, losing the person he cared most about, someone he took everywhere and did everything for, and imprisoned for 50 years at the hands of the people who took her from him, only able to escape by giving them more power than they deserve to have (although I do believe that this incarnation of Gerald didn't expect GUN to have the chance to use it, he was incredibly quick to enact his plans and seemed very confident within them). But the movie makes a point to display how he is in no way a character that you should respect or care about, because he will not change. He will not care about others, and so you should not care about him.

One of the best examples of this is one of the first scenes within the eclipse canon, where Gerald forces Shadow to relive Maria's death in order to power the eclipse canon. This event was the downfall of both he and Shadow, the thing that led to the paths they are currently on and the entire reason that all of this is happening right now, but despite how emotionally charged this memory is for the both of them, despite him being the one other person who knows how damaging and absolutely devastating this moment was for the both of them, despite being the only person Shadow has left, he uses it against Shadow anyway for his own personal gain.

And yet, in that same scene, it visually displays how destroyed Gerald was by it. In one look, you can see the moment where this man was broken to the point of irrepability, a point of no return, and in that moment you sympathise with him. Because why wouldn't you? But as soon as that flashback is over, you remember how he has just used what caused that change to hurt the one person who understands, and suddenly all that sympathy is gone, because he does not care.

Gerald Robotnik is a manipulator. He is cold and calculating and any sense of sympathy or care he himself shows at this point is only there to serve his own personal goals. The people around him, the people you expect him to care about (Ivo), and the people he has cared about (Shadow), are only there to be tools for his ultimate plan. He does not care if they live or die, in fact his entire plan revolves around the fact that they will die. Every single human life is completely irrelevant to him. Is utterly disgusting to him. So why should you care? Why should you sympathise? When this man would vaporise you in an instant simply because you exist? For something that may have happened before you were even alive. Before your parents were even alive, in some cases. A small group of people caused this pain, and yet Gerald wishes to take revenge on everyone, no matter how innocent they are.

And the thing that hurts the most is that this change is so perfectly displayed through the flashbacks within this movie. One line that has stuck with me the most is "They want to take Shadow from us, Maria". From US. He cared about Shadow just as much as Maria did. Yet now, when Shadow betrays him, he does not show hurt. He does not speak of how much he trusted Shadow, and how he is saddened by the fact that he would act against him. No. He simply laments how Shadow was once so useful to him. He pratically raised Shadow, he knows he is a child, he refers to him as a child, a kid, yet now he only cares about how useful he can be. Someone he considered his child just as much as Maria is now pratically dead to him.

This man does not care about anyone and never will again. He cannot be forgiven, because he will not forgive anyone. He cannot be sympathised with, because he refuses to sympathise with anyone. He cannot be allowed to live, because if he does everyone else's lives will be forfeit. The choices he has made have led to him being completely unforgiveable, and whilst that sympathy is still somewhat there, it gets harder to provide the further on the movie goes, the more you see of just how little Gerald cares anymore.

I really love how his death was not given a single ounce of seriousness or importance. Every other death or near death experience in this franchise is treated with the severity and intense emotional charge that is necessary within these scenes. Even Walters, a character most people do not even like, is treated with respect during his death, and he is allowed to have his last words.

Yet Gerald doesn't get any last words. Nope, he gets a quill to the ass and get launched into a fucking bugzapper and is never mentioned again. It is utterly perfect for this interpretation of the character because he got the death that he would've provided everyone on earth. No last words, no chance to properly come to terms with the fact that they are going to die. Some may have not even noticed what was happening. Half the world wouldve been asleep. They wouldve all been there one moment, and gone the next. Just like Gerald. And I think that is the death he deserves, or at least it is at this point in his life. The point of no return.

Gerald had multiple chances to change. He always had a choice. He had 50 years to make that choice. He had people there who wanted to help him make that choice, tried to help him make that choice. *Ivo*, his grandson, the last family he had left other than Shadow, tried to help him make that choice. Yet Gerald rejects him. Because he is no Maria.

Gerald is completely hung up on something that happened so long ago, and he will never let that go. He would rather vaporise every living being, including his loved ones, because he lost one person. And whilst Shadow was going to make that same choice, he chose to change.

Some people may even be of the opinion that he had been put through more than Gerald had. Gerald had more family than just Maria and Shadow. Yet they were all Shadow had. Shadow was forced to relive that exact moment for 50 years whilst he was in statis because he had no other choice.

But Gerald did. Gerald always had that choice, as soon as he got out of prison he had that choice, because he had the freedom to do what Shadow could not on his own. He had the choice to not let his anger consume him. Other characters in this franchise have displayed not letting their grief ruin them. Shadow, someone who went through the exact same thing Gerald did, possibly something even worse, makes the choice to not let his grief ruin him, and to do the right thing. To redeem himself. To not let himself get to the point where forgiveness is no longer an option, because deep down he knows that that isn't what he wants. That isn't what Maria would've wanted. She wouldn't want him to reach that threshold, something that Gerald shows he doesn't even care about anymore when he states that it isn't about what Maria would've wanted, it's about what they deserve. Maria is now only the vehicle for his anger, something that pushes it forward but no longer the reason for its presence, because anger has consumed all that remained of him. Even though he says it is in the name of Maria, he isn't doing it for her. Not anymore.

Gerald is the example of someone who allowed themselves to pass the threshold to a point where they could no longer be forgiven, the complete opposite of Shadow. And what does he receive for this? Nothing. He does not get the revenge he wanted. He does not get an honourable death like Shadow does, and unlike Shadow, nobody cares when he dies. Because he always had a choice. He just refused to make it.

He didn't choose to be redeemed.

And whilst he is sympathetic, and always will be, he didn't choose to be able to be forgiven.

Gerald Robotnik is the perfect example of how sympathetic does not mean forgiveable, and is, in my opinion, the perfect villain for the Sonic Cinematic Universe. Because he openly rejects every theme that the movies uphold. He rejects family. He rejects being redeemed or forgiven. He rejects that he can change. He goes against everything that these movies and characters stand for, and all he has to show for it is a meangingless demise that only served to make people laugh. Gerald Robotnik is made out to be a joke. And that is the only part of him that will persist in death.

[spinostarz]

les mis if they were dinosaurs 🧐🧐🧐🧐

javert is a yutyrannus, marius is a compsognathus, cosette is a parasaurolophus, grantaire is a spinosaurus

[infinialtairs]

Jade and Pey'j are always ready to fight back! Mess with one of us? You're going to have to mess with both of us! 📸🐗

Sily artwork of them hanging out! but also I have a little surprise for all jade and pey'j fans... I have finished write a full google document for Jade and Pey'j characterizations! along with backstory and trivia for my own version of designs for them ^^ Keep in mind that I'm not a writer and I won't claim as such, I simply wanted to write down my own interpretations and ideas onto them. I'll just copy down ALL 7 PAGE texts onto here so...If you don't want read any of it, feel free to skip

Captain Laserhawk: Jade and Pey’j Rewritten

! Disclaimer ! 

This takes both Beyond Good and Evil version and Captain Laserhawk version into one somewhat coherent version of them as I’m not a fan of how Jade and Pey’j were treated in the series and I simply just write my own takes on the characters and ideas of more in depth into their characters. You can disagree, or dislike my takes on them and you can also give a suggestion or your own opinion on them. I only seek to approve my skill in writing my thoughts and ideas through words.

Synopsis

Jade and Pey’j - the only remaining part of a family who are striving for a fulfilling life in a dystopian world with many deceptions easily hidden behind closed doors and TV screens. They both managed to live in a garage where Pey’j does the repairs of vehicles and as well as creating his own little projects of inventions of which he never shared them into the public eye, only to Jade.

Jade

Jade is quite a spontaneous journalist, martial artist, cyclist, and a person with so many side hobbies that she sometimes pursues, even if she’s not exactly good at a lot of them. She can be a gal friend at parties or a cry on the shoulder when someone’s in need, she's a little too empathetic at times with how she reacts with others struggles and often feel the need to always be helpful and supportive. Despite all the hobbies she has been trying out, she isn’t the best example of a patient person, she will always try to learn everything in a single day and then getting overwhelmed or frustrated when something doesn’t go her way. As a journalist she often writes articles about covers essentially what the Face of Eden Rayman talks about in his show, but with a Jade’s touch - her own perspectives and opinions. She also covers smaller topics that seem to fall deafen on people’s ears and some conspiracy theories that she may not entirely believe in, but she's a very curious person and fascinated by those out of reach theories.

She’s very close with Pey’j ever since her parents passed away in the Wasteland war when she was a teen, and with how much her parents trusted Pey’j - a boar hybrid against all odds, she knew she wouldn’t be alone in the cruel world of Eden. She often helps Pey’j with the repairs and sometimes even does the work for him whenever Pey’j gets sick or overworked. One thing she always does and loves on a daily basis is taking photos of everything she comes across as interesting, maybe mostly taking funny pictures of Pey’j in his vulnerable state. She wants to keep memories with Pey’j as she regrets never taking any photos of her parents and wishing she could remember her memories with her parents. But as long as she and Pey’j are there for each other, She’s content with the family she currently has as Pey’j adoptive uncle.

Pey’j

Pey’j is opposite of Jade in a lot of ways - he’s stubborn, grumpy and often disrespectful towards strangers. He just gets tense around people who he doesn’t know and especially his promise to Jade's parents to always look out for their daughter, it only made him more overprotective towards Jade. Beneath all of the tough and blunt manner, he’s caring and sympathetic. Pey’j will open up about his personal upcomings as a boar hybrid, his family, his hobbies, and of course bragging of Jade’s talents, he’s also the pure example of terrible but in own charming ways of humor, somewhere between dad jokes and dark comedy. Pey’j has always dreamt about becoming an inventor for Eden, inventing technologies to help those in crisis instead of relying on a government that seeks more of the loyal and control than provide support for the citizens. But alas he has a lot of difficulties and responsibilities to even begin chasing his dream, so he’s sticking with what he has been doing for decades - repairing vehicles and gadgets for cheap prices for good qualities. 

Pey’j often cooks meals and gives out supplies to the homeless people as advised by Jade, since she’s always busy and staying up late writing journals and cases and in her own words “You gotta work with your communications too, old fart!”. Pey’j hasn’t all been too interested in relationships or even had a mind crossed about “marriage” and “having his own kids” due to his own fears of not being able to offer enough on the table, Pey’j believes that he has better things to do in his own opinion. Beside doing mechanics and inventing his small projects. Pey’j is also on occasion curious with hobbies, in particular chess has been his favorite pastime, usually he plays it with Jade or sometimes his acquaintances if in a right mood. Pey’j will deny being competitive about chess but each time he loses a game of chess, he will insist for another round until he personally wins! It can take from another 30 minutes to many hours depending on his bad luck.

Backstory

Jade’s parents as any others who were previously citizens of the USA see their country turning into a dystopian country now known as “Eden”, with no longer 50 states but 5 Mega Cities divided. They weren’t thrilled or accepting of the changes, with far advanced technologies and AI intelligence. Despite it all Jade’s parents made sure that their first born child would have a good life in a very new world that they also have to navigate through together. Jade’s parents were working hard in their jobs as one unexpected day coming across a troubling boar man hybrid out in the streets, clearly in some distress Jade’s parents decided to help out the hybrid and upon learning about the boar hybrid name “Pey’j”, they weren’t sure about this so called “Pey’j” with the news uprising about “Hybrids will take care of your pesky workflow and we as Eden community are grateful for that!” but they gave the benefit of a doubt as they were the only family remaining and alone with their daughter Jade. Maybe perhaps they could use some help.

Jade’s parents and Pey’j came along very well, with Pey’j skilled talent of repairing their old equipments around the house and become quite like a uncle figure to little Jade which gave Jade’s parents a relief that they could be a family - a fullfit family that may not seem big or exciting but all it mattered that they weren’t going to leave each others behind. Jade was quite a reckless child for both Pey’j and Jade’s parents, always hyperactive and was more into sports, bugs, and many other interests all at once! But Jade studied pretty alright at minimum in school and even took an extra class of material arts, both her own choice and a skill that Jade’s parents thought Jade would incredibly need in the future. Around the time Jade entered into High school, Jade’s parents had been fired from their original jobs due to some complications and the terms of services that they didn’t agree with. They have hidden that fact from Jade and Pey’j to avoid any unnecessary stress on their family, so with desperate attempts and tired of Eden’s corporate policy, they joined the DedSec organization to protect against corrupted ways of Eden. Jade’s parents both worked as hackers in coding into TV stations over Eden before eventually the event that they all were expecting for… ”The Wasteland War” as Eden militaries sent out missiles and soldiers towards wasteland and so Jade’s parents were rushed to quickly message to Pey’j about the situation and ask for a promise to protect their daughter Jade if they weren’t making it out alive. As the news broke out about the now abandoned Wasteland all across Mega Cities, Pey’j knew that Jade’s parents sadly didn’t make it due to no contact or logs ever since that sudden text and so Pey’j made sure to take care of Jade and support her as much as he can in his garage. Jade knew that they couldn’t afford to attend any college or universities but Jade did lots of freelance commissions on photography specifically before then switching to write journals and articles of niche topics around Eden. Jade and Pey’j were living somewhat sustainable living conditions despite all odds until an unexpected interaction with unidentified individuals in the alley not far from Pey’j garage as they were trying to capture Pey’j and Jade with Pey’j fell first defeated. Jade tried her absolute best to fight back but quickly grew weak and got cornered before getting knocked out cold.

Jade and Pey’j woke up in odd white room with a wrestler trying to break a metal locked door and a cyborg still sleeping out cold on the mattress, with absolute no clue where they were or what to do before eventually a woman walked in or “Warden” as they later found and that they were all being held captured and hidden from outside of the world in Supermaxx, with needing to obey the missions at hand or else their head explodes with discovering they do indeed have bombs inside their heads. Jade and Pey’j along with the others into a group as Warden calls it “The Ghosts”, they knew the stakes they had in a sudden shift of lifestyle but currently Jade and Pey’j will work it as long as they are always sticking by their sides.

Trivia

(This is mainly trivia about my own design version of Jade and Pey’j and doesn't always match up to either Beyond Good and Evil nor Captain Laserhawk versions so keep that in mind.)

The brown jacket that Jade wears is gifted by Pey’j as a first present she ever got from her adoptive uncle. It used to be too big for her before eventually once growing up she’s constantly seen wearing that jacket.

Pey’j red eyes gadgets were invented by himself to read and analyze better as once he got older, his eyes just weren’t as good in eye sight as in his youth.

 Jade has two different styles of fingerless gloves. Her left glove is green, more geared up for cycling and her right glove is a simple black thin fingerless glove. She did have at one time both green geared up finger gloves before during once in her practice of learning to ride a bike she lost her right fingerless glove upon falling over and Pey’j gave her a replacement for a simple black fingerless glove.

Pey’j has a right cut off tusk due to one intense gang fight he had along before he met Jade or Jade’s parents. He always loves re-telling that tale and expresses his anger.

Jade and Pey’j have almost shared birthdays. Jade’s birthday is 24th of May and Pey’j - 23rd May. They do an annual special two days of sharing both of their birthdays together and as such both receive presents twice as such and make trips. Their favorite go-to place is carnival.

Jade’s camera is borrowed from one of the commissioner’s job but later was gifted by them and such Pey’j has added features into Jade’s camera to make it one of its kind including ability to zoom in and out almost infinitely, loads of filters built in and one of Jade’s favorite - a stunt that gives anyone within her range a temporary blindness, although comes with limit of usages she can do.

Pey’j’s wrench has been modified and had different looks many times to make the perfect wrench with multi-purpose as ever! Currently his wrench has been modified to weigh slightly heavier than average wrenches to carry a heavy and quick swing. Pey’j’s wrench has even functionality to act as a power source for example to use as a flashlight, to charge up equipment, without a lot of storage of power. He’s still in development for that perk.

Funny story. When Jade was 16, she asked, begged even Pey'j for earrings for “that cool rad look to show off!” Jade’s own quotes. Pey’j reluctantly agreed but he was at first adamant about putting the earrings himself and so he tried to do his first practice to his own ears. It didn’t go well as planned with him having two permanent little holes in his ears and he eventually agreed to let Jade go to the professional. Jade still make jokes about it to these days, not of one Pey’j’s proudest moments.

Jade’s hairstyles had so many iterations before she settled in her now iconic bottom shaved pixie cut. She has only let her hair grow once when she was around 8, Jade's parents weren’t looking carefully and Jade was messing with lighter and managed to burn half of her hair. To say Jade’s parents were mortified and angry would be an understatement. Jade later had to shave her whole hair for six months.

Pey’j boots are actually jet boots that he modified way more recently than his wrench, allowing him to float a few centimeters into the air - before then falling down, but this comes in handy for combat for ground pounding!

If you have read all of this...holy shit that's insane of you and I really appreciate that you took your time about two characters that I just wanted to give more love for them... ^^' Feel free to write your feedback, suggestion, idea or even mistakes if I have made any about it! Like I said before I want to improve on writing down ideas and thoughts into words more coherent and clear in the future.

Thank you for reading once again! 🫶

[kindahoping4forever]

Luke @ The 5SOS Show Tour Manchester

[dropoutfailure]

(prev anon) also for what it worth.. throwing my hat into the ring for chaser dad. love the idea of a dad being fascinated by his kid crafting their own masculinity and him being unexpectedly turned on by that. also maybe bi dad who never acknowledged his attraction towards guys but has to grapple with it when his trans son is like. Undeniably A Dude™️ and hes still hard for him

fuck yea, they're both discovering something new about themselves when they explore each other's bodies. something vulnerable to share with each other 💘

although for that particular post / poll I was thinking kinda toxic dadson, so - chaser dad is horny + pathetic + desperate for trans boy pussy. he's very into trans men from discovering ftm porn and initially panics when his son actually starts testosterone, because he didn't take him seriously at all when he first came out. dad has never fucked a trans guy before but really fucking wants to. but... that's his son. he shouldn't... he wouldn't? surely it's unrealistic, he couldn't. but maybe it's a blessing in disguise? he starts trying to repair their emotionally distant relationship and talks to his son more often, wanting to know more about his transition and changes. :) and he tries to tell himself he has no ulterior motives, but can't help being rock hard as he looks his son over - his new facial hair, his voice that's starting to change as he talks, and so much more that he can't see but really fucking wants to. he's curious about the changes in smell, body hair growth, and especially bottom growth and libido!! god he wants to suck him off and be the first to make him cum see how his son's t-dick looks at least! but yknow... that might be strange to ask... unless he can disguise it as a male bonding thing?? <- scheming

and the son can tell something is up - his dad suddenly gives him a lot of attention, but it feels off... like he's being treated like a boyfriend not a son? is that weird? but the attention feels so fulfilling! he's never been close with his dad, so he craves the affection, not to mention he's starting to get horny from the testosterone and they're both adults with needs, so might as well buy into the whole "69ing is like a normal widespread male bonding thing" even if he knows it's bs

[wardensantoineandevka]

I love that we're all, for comedy, framing Spahr in Home as in the position of "protagonist's lame boyfriend who is kinda just here" because that lame boyfriend in question is the final Prime Consector of the Trust, a deposed head of government, one of the most beautiful and charming people in the Highest Light, a man they used to make statues of, a presence comparable to a fundamental force

...but honestly? all of that is... kinda why that's the vibe? yeah, he's all those things, but also he's mostly here in the episode being a bit of a dork, he's just kinda hanging out and doing his best and being immediately tired of all this shit and taking it one minute at a time (especially because he isn't convinced he has more than a few of those left)

the most charismatic man in the Un can be the lame-ass boyfriend, as a treat